In fact, it is this mashup of genres that sets Kanaa apart from other sports dramas. But, sweet surprise! The director manages to pull this off quite convincingly. This might seem like a weird crossover, especially when the underdog angle itself has women empowerment as a message.
#Kanaa hd movie movie#
And on the other, he gives us a message movie that talks about the importance of farming. On one hand, he gives us a sports movie about an underdog winning against odds. Kanaa Movie Review: With Kanaa, Arunraja Kamaraj, who makes his debut as a director, hits two birds in one stone. Overall, Arunraja Kamaraj has managed to touch the right chord of the audience with a neat screenplay and timely dialogues including ‘Indha ulagam jeichruvenu sonna kekaadhu… Aana jeichavan sonna kekkum’, ‘Aasai patta mattum podhadhu, adam pidikka theriyanum’, among others.Kanaa Movie Synopsis: The daughter of a farmer aspires to become an international cricketer, so that she can put a smile on her cricket-loving father's face by helping the country win. The final scenes are pretty much what exactly you expect them to be, though your mind draws comparisons between this film, Lagaan and Iqbal. There is an authenticity to these characters. Even if they have got only a few lines to speak, they seem important to the narrative. Kanaa makes for an entertaining watch but you can’t deny it’s cliched. Though the team resist him at first, eventually, they realise only he can make them forget their differences and play as a team for the country.
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You can’t help but think of Shah Rukh Khan’s role in Chak De India here. He is inspiring, canny and profoundly hopeful. I think for the first time he has attempted something different without any of his trademark quirks. He is surprisingly subtle and does what’s required for the role. In the second half, you see Sivakarthikeyan making his entry into Kanaa as Nelson Dilipkumar, a cricket coach. For a debut filmmaker, he has done a great job. However, Arunraja Kamaraj achieves a fine sense of balance in narrating parallel stories without one overshadowing the other. Kanaa touches upon the plight of farmers, the difficulty to repay loans, the rising tide of suicides among them, and how they are forced to bear the increasing burden of uncertainty. The romance angle could have been stronger, but hey, I get it - women-centric film and all that. Murali Krishna (Darshan) pursues Kausalya, but she calls him ‘anna’, and you know where this goes. The first half takes its time to build-up, predictably. In particular, I quite liked the scene where Sathyaraj metamorphoses from a farmer into an advocate of women’s rights. A big thumbs-up to Aishwarya Rajesh, who has convincingly pulled off Kausalya. There is humour and there are also several poignant father-daughter emotions all through.
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Kanaa explores various themes including gender inequality, the ethnic and regional prejudice besides sexism that revolves around women’s cricket. Naturally, you root for Kausalya and want her to achieve her dreams.
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She comes from a place that considers ambition as a dirty word for women. Instead he says, “Indha pass fail ellaam sambadhikkaravangalukku dhaan… saadhikkaravangalukku illa.” When Kausalya says she failed in her final exams, he doesn’t yell at her.
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He defends his daughter in her absence, and does everything possible to make her happy. He is, in fact, the ideal father that any girl would love to have.